Built on foundational loops and drones, Repp’s songs mingle solid, folk-tinged melodies with distortion, kaleidoscopic pop, and disjointed, cobbled together beats. She buries her resonant anthems under hiss (“Nothing Is On,” “Look For Paradise”), navigates uncertainty with eerie confidence (“Need You / Don’t Need You,” “Lightest Light”) and makes her proclamations of independence sound like faithful hymns (“I’ll Take The Storm”). Sometimes she sounds like a gospel singer, sometimes she sounds like a slightly malfunctioning tape deck, but always, she sounds free.