Sonescent came to Whitney Johnson’s mind while she was at the Dhamma Vaddhana Meditation Center just north of Joshua Tree, during a course of Vipassana meditation. This is a ten day period that requires, among other codes of discipline, the practice of Noble Silence: silence of body, speech, and mind.

As this practice settled in and around her, Whitney heard the things not always focused upon: first, tinnitus... then, breathing... the heartbeat, and another pulsing (something unknown, but familiar). So she listened to the sound of her body. After a time, her mind became involved, and she began to hear songs. But as she was keeping to her vows, she wasn’t able to write them down or sing them and record them. It was only after she’d returned from the desert that she wrote down what she’d heard, to the best of her ability.

She decided to score the songs from the desert for other musicians to play, which was a departure from previous Matchess recordings, where she played and sang the music all herself. This process took a long while; first the scoring, drawing the pieces back out from herself based purely on memory. Then getting everyone together to play the music. Once she had them all finally fully captured, it seemed right to place the sounds back where they’d come from - a silent space, upon which the songs sometimes only barely intrude, as if heard from a great distance.