(1992) Shostakovich: Chamber Symphony, Op. 110 bis / Symphony For Strings, Op. 110 bis / Requiem For Strings, Op. 144 bisThe string quartet was Dimitri Chostakovitchs preferred form for self expression. He frequently referred to his quartets as symphonic quartets (quartet symphonies). The enormous emotional power which he gave this formation, the depth of contrast, the symphonic development and the transformation of musical ideas, all of this go into making his quartets into true symphonies for four instruments. It is significant that the composer himself approved
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The string quartet was Dimitri Chostakovitch’s preferred form for self-expression. He frequently referred to his quartets as symphonic quartets (quartet-symphonies). The enormous emotional power which he gave this formation, the depth of contrast, the symphonic development and the transformation of musical ideas, all of this go into making his quartets into true symphonies for four instruments.
It is significant that the composer himself approved orchestral versions of some of his quartets, three of which are offered on this recording. The full breadth of the Russian force behind these works finds expression in the interpretation of the Chamber Orchestra KREMLIN under the direction of Misha Rachlevsky.
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(1992) Shostakovich: Chamber Symphony, Op. 110 bis / Symphony For Strings, Op. 110 bis / Requiem For Strings, Op. 144 bis