After more than ten years of making music with turntables, tapes, and loops, the Swiss based musician, artist, performer, and architect Christoph Hess started the project Strotter Inst. In 1998 to concentrate just on the manipulation of turntables, not using any records or sounds made by someone or something else. The anachronistic machineries have dual roles as objects and as instruments. The first live impact was as installations, then the sounds start to grab the listeners' attention. The auditory level surpasses the visual one. Therefore, the optical comprehension of how the sound is generated plays an important role. Hardly using sounds from LPs - if used, they are cut or scotched - the main source of sound are the prepared pick-ups (i.e. sewing needles or strings instead of the diamond or the extended use of rubber bands). The treatment involves the unclean nature of the sounds as part of the music. Besides the work as a musician, Strotter Inst. #creates sound objects and installations out of turntables. The abbreviation "Inst." can both mean "instrument" and "installation". Comes on white vinyl. "Absolutely fantastic stuff!" -Aquarius Records