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The Tehran urban-workshop tradition occasionally produced cohorts of carpet on neutral gray and silver grounds — carpets aimed at apartments in the modernizing 1970s where homeowners wanted a Persian rug that did not impose a colour temperature on the room. The medallion-and-corner architecture stayed; the saturation came down. The result is a carpet that reads more like a textile than a statement.
This 1200 Reeds machine-woven piece quotes that lighter-saturation Tehran register. Neutral gray ground, restrained medallion. It is a design-language reference, not a vintage Tehran workshop rug. Not hand-knotted.
Recessive. The gray takes whatever the rest of the room wants to be — warm wood and incandescent push it warmer, cool stone and LED push it cooler. The widest cross-style fit of any rug in this cohort. Reads well under any lighting condition.
3×6, 4×6, 5×7.5, 5×8, 8×10, 8×11, 10×13. See variant selector for current pricing and stock.
Pairs with almost any palette — warm and cool architecturals, traditional and clean-line furniture, light and dark woods. The neutral gray field is the closest thing in this cohort to a universal rug.
Best for: transitional interiors, mixed-style rooms, owners who want a Persian rug as a background textile rather than a focal point, families with pets (the gray hides hair).
Skip if: you want a saturated statement rug.
See the Gray Persian Design in person at our Watt Avenue showroom. Browse Persian rugs or area rugs.
About 1200 Reeds construction: شانه (shaneh) refers to reed-count density. تراکم (tarakom) refers to knot/weft density. See our complete guide to reed-count density.
Ships within 48 hours · Estimated delivery Jun 26 - Jul 1
US$40
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